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So, the other day I was digging through some corners of the Russian underground, because, let’s be honest, there’s always something gnarly hiding there.. and I stumbled upon Grenouer. Man, this band is like one of those long-running underground sitcoms you never knew existed but suddenly you’re hooked: they’ve been alive, kicking, and reshaping the scene for decades. It’s not just nostalgia bait either; this project has teeth, history, and a weirdly philosophical streak that makes it feel like the Russian underground is sending you postcards in guttural vocals. If you’re into raw energy, a bit of chaos, and a story that actually matters in extreme metal, Grenouer is one of those bands you really don’t want to sleep on. Grenouer emerged from Perm, Russia, in 1992, right at the moment when the Russian extreme underground was beginning to find its identity. In their earliest years, Grenouer embraced uncompromising death metal, releasing four full-length albums that earned them respect among the local scene and across the CIS. During the 90s, they were not just performers but also organizers, curating the now-legendary Death Panorama Festival, which became a gathering point for the Russian extreme underground. Bands like Mortem, Necrocannibal, End Zone, and Alkonost all shared the stage under Grenouer’s banner.